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  • Read the following passage and mark the letter A, B, C, D, on your answer sheet to indicate the correct answer to each of the following questions

    An idea came to me, and I turned off the lights in the studio. In the darkness, I put the cello's  spike into a loose spot on the carpet, tightened the bow and drew it across the open strings. I  took off my shirt and tried it again, it was the first time in my life I'd felt the instrument against  my bare chest. I could fell the vibration of the strings travel through the body of the instrument  to my own body. I'd never thought about that; music scholars always talk about the resonating  properties of various instruments, but surely the performer's own body must have some effect  on the sound. As I dug into the notes I imagined that my own chest and lung were extensions  of the sound box; I seemed to be able to alter the sound by the way I sat, and by varying the  muscular tension in my upper body. 

    After improvising for a while, I started playing the D minor Bach suite, still in the darkness.  Strangely freed of the task of finding the right phrasing, the right intonation, the right bowing,  I heard the music through my skin. For the first time I didn't think about how it would sound  to anyone else, and slowly, joyfully, gratefully, I started to hear again. The note sang out, first  like a trickle, then like a fountain of cool water bubbling up from a hole in the middle of the  desert. After an hour or so I looked up, and in the darkness saw the outline of the cat sitting on 

    the floor in front of me, cleaning her paws and purring loudly. I had an audience again, humble  as it was. 

    So that's what I do now with the cello. At least once a day I find time to tune it, close my  eyes, and listen. It's probably not going to lead to the kind of come back. I'd fantasized about  for so long - years of playing badly have left scars on my technique, and, practically speaking,  classical musicians returning from obscurity are almost impossible to promote - but might  eventually try giving a recital if I feel up to it. Or better yet, I may pay for Dr. Polk if our date  at the concert goes well. Occasionally I fell a stab of longing, and I wish I could give just one  more concert on the great stage before my lights blink off, but that longing passes more  quickly now. I take solace on the fact that, unlike the way I felt before, I can enjoy playing for  myself now. I fell relaxed and expansive when I play, as if I could stretch out my arms and  reach from one end of the apartment to the other. A feeling of the completeness and dignity  surrounds me and lifts me up. 

    Câu hỏi:

    What is the passage mainly about?

    • A. A musician's feelings when he plays the cello
    • B. A musician's desire to return to his former profession
    • C. A musician finding joy in playing music again
    • D. A musician playing the cello for his cat

    Lời giải tham khảo:

    Đáp án đúng: C

    Ý chính của bài là gì? 

    A. Cảm xúc của một nhạc sĩ khi chơi đàn Cello 

    B. Mong muốn trở lại nghề cũ của một nhạc sĩ 

    C.Một nhạc sĩ tìm lại niềm vui khi chơi nhạc 

    D. Một nhạc sĩ chơi cello cho con mèo của anh ấy 

    Đoạn văn nói về việc một nhạc sĩ tìm được niềm vui thực sự khi chơi nhạc.

    → Đáp án C 

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Mã câu hỏi: 379702

Loại bài: Bài tập

Chủ đề :

Môn học: Tiếng Anh

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